Korean, Chinese and Japanese Movie DVDs & Blu-ray

A gold digger discovers that true love is priceless in Finding Mr. Right, the blockbuster romantic comedy by Ocean Heaven director Xue Xiaolu. Tang Wei (Lust, Caution) turns up the charm as a businessman’s pregnant mistress who flies to Seattle to give birth. Wu Xiubo (The Four) complete the other half of the unlikely pairing, playing a kind former doctor who unwittingly becomes the pregnant woman’s guardian. Despite their difference in age, Tang and Wu share plenty of screen chemistry as the foes-turned-lovers in this charming, heartwarming romance. Xue’s timely topic about atypical modern relationships and the exotic North American locales also added to the appeal of Finding Mr. Right, making it one of the biggest Chinese films of 2013.

The mistress of a rich businessman, Jia Jia (Tang Wei) has arrived in Seattle to give birth in an illegal maternity center. After narrowly missing a police raid on her intended destination, maternity center driver Frank (Wu Xiubo) takes her to another center operated by Mrs. Huang (Elaine Jin). Materialistic and picky, Jia Jia initially puts Mrs. Huang and her fellow residents off with her demanding attitude. With Frank’s help, Jia Jia slowly puts down her arrogance and learns that money isn’t the answer to true happiness. As her baby’s due date approaches, Jia Jia will have to choose between her comfortable luxury life with her businessman boyfriend in Beijing and a common, down-to-earth existence in a strange land with a decent man who loves her.

This edition includes making of, trailers and a stills gallery..
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Martial arts. Two words: Horizontal and vertical. There’s no right and wrong; the last man standing wins.

Over a decade in the making, Wong Kar Wai’s The Grandmaster is finally here! Initially planned as a biography of Wing Chun Grandmaster Ip Man (Best known as Bruce Lee’s master), The Grandmaster has since become an epic drama about three martial artists who walk three very different paths in their road to becoming grandmasters. While the filmmaker touches on familiar themes like unrequited feelings and longing between lonely people, he also tries his hand at new themes by exploring the philosophies behind martial arts and the slow decay of that world’s long-standing traditions. To accurately depict the various martial arts schools occupying that world, Wong spent several years visiting martial art masters across China to study the ideological and physical differences between each school. He even recruited martial arts scholar/filmmaker Xu Haofeng (The Sword Identity) to serve as a co-writer of the script.

In addition to WKW regular Tony Leung Chiu Wai starring as Ip Man, The Grandmaster also co-stars Zhang Ziyi in a scene-stealing performance as a strong-willed Bagua Quan master, Chang Chen as a mysterious Baji master who wishes to escape his espionage life, Zhao Benshen as a retired grandmaster, Song Hye Kyo as Ip’s wife Zhang Yongcheng and Xiao Shenyang as a Hong Kong hoodlum. The three main stars all underwent extensive training in their respective martial arts schools in order to execute the complex action choreography by Yuen Woo Ping (The Matrix, Tai Chi Master). Always the perfectionist, Wong kept the production of the film going for over three years. After the long, delay-filled wait, Wong finally delivered a gorgeous epic that is also one of the most thoughtful explorations of the martial arts world ever put on film. The opening film of the 2013 Berlin Film Festival, the highly anticipated film is also the biggest commercial success of Wong Kar Wai’s distinguished career.

Hailing from a rich family, Ip Man (Tony Leung Chiu Wai) devoted his life to practicing Wing Chun in the city of Foshan. When Gong Baosen, Chairman of the Chinese Martial Artists Union, decides to mark his retirement with a sparring match in Foshan, Ip is thrust into the limelight as Baosen’s chosen opponent. Despite objections by Baosen’s daughter Gong Er (Zhang Ziyi), Baosen goes ahead with the match and breaks his family’s unbeaten record with a rare loss. Gong Er manages to save her family honor by winning a rematch against Ip, and the two even strike up an unspoken bond in the process. However, the Sino-Japanese War breaks out, causing Ip to lose his family fortune and Baosen’s disciple Ma San (Zhang Jin) to turn to the Japanese for self-preservation. While Ip struggles to care for his family, Gong Er makes a major sacrifice in the name of revenge. Meanwhile, a mysterious man named The Razor (Chang Chen).
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Before going international, John Woo stunned Hong Kong movie fans with his A Better Tomorrow in 1986, which opened an era of heroic bloodshed movies in Hong Kong cinema, weaving action, melodrama, and strong storylines together in a unique style. Following the success of A Better Tomorrow, Woo created The Killer, also featuring the famed Chow Yun Fat as a killer who is not at all cold-blooded.

The film also features veteran actors Danny Lee and Kenneth Tsang as cops, as well as renowned singer Sally Yeh. The chemistry between John Woo and Chow Yun-Fat continues to interweave the theme of brotherly love into an intriguing plot. The Killer illustrates the dilemma of upholding principles, sacrificing friends and betraying one’s conscience. Woo delivers a combination of high impact action spliced in with dramatic slow motion shots, showing his unique cinematic style and flair. This stylish and action-packed film is just as acclaimed as A Better Tomorrow, winning the film Best Director and Best Film Editing at the 9th Hong Kong Film Awards..
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As essential a Hong Kong film as you could ever find, A Better Tomorrow, is a milestone of Hong Kong Cinema, and the first true John Woo film from legendary director John Woo. Ho (Ti Lung) and Mark (Chow Yun Fat) are triad brothers at the top of their game, but each suffers a stunning fall from grace. Ho is betrayed and sent to prison, much to the shame of his brother, police cadet Kit (Leslie Cheung). Mark is crippled during a bloody hit on a rival gang leader, leaving him a shell of a man. Years later the two are reunited, but the world has changed around them. Now at the mercy of their former comrades in the triad, the two form an uneasy alliance with Kit to strike back…with a hailstorm of bullets.

Balletic action and hard-nosed melodrama are staples of the triad genre, but it’s director John Woo’s celebrated themes that raise A Better Tomorrow to greater heights. Honor and brotherhood are given compelling reverence by Woo, and his iconic characters are embodied with grace and toughness by the extraordinary cast. Chow Yun-Fat’s characterization of Mark – a suave killer who values honor above all – would become the single greatest icon of the Heroic Bloodshed genre, and a widely-imitated image by filmmakers and fans alike. Winner of numerous film awards, including Best Picture, Director, and Actor (Chow Yun Fat) at the Hong Kong Film Awards, and Best Picture, Director, and Actor (Ti Lung) at the Taiwan Golden Horse Awards..
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